摘要
在对马克思主义的现实主义理论的整体认识中,一个认识上的严重混乱,就是把“现实主义的真实性”原则的基本内涵理解为“本质真实”。在美学史上,“本质真实”理论的创建并不属于马克思主义的经典作家。席勒式方法与莎士比亚化方法之间的对立实质上就是“本质真实”与“现实主义的真实性”之间的对立。确立对艺术创作的认识论态度有助于克服为艺术而艺术的倾向和某些现代流派的消极影响,但美学中形而上学的庸俗认识论对于艺术研究同样是无益的,为此,有必要进一步澄清二者之间的混乱。
In people＇ s whole understanding about the theory of realism in Marxism, some confuse the basic intension of ＂realistic authenticity＂ with ＂the truth of matter＇ s inherent law＂. In the history of aesthetics, the theory of ＂the truth of matter＇ s inherent law ＂does not belong to the classic Marxist writers. Essentially the antithesis between the method of Shakespearean standard and that of Schiller＇ s style is the one between ＂the authenticity of realism＂ and ＂the truth of mat- ter＇ s inherent law＂. Establishing the epistemology attitude to artistic creation can contribute to overcoming the tendency of art for art＇ s sake and some negative influence of modernist schools. However, the metaphysical vulgar epistemology is also helpless to art. For the present and the future of the socialist art, it is necessary to further clarity the confusion between them.
出处
《天津大学学报（社会科学版）》
2006年第4期277-280,共4页
Journal of Tianjin University：Social Sciences
关键词
现实主义的真实性
本质真实
席勒式与莎士比亚化
realistic authenticity
the truth of matter＇ s inherent law
Schiller＇s style and Shakespearean standard
