摘要
风景画和风俗画描写是中国乡土小说中广泛运用的艺术手法。借助于它们,不同时代、地域、个性的作家们展现出不同的审美形态:既有以鲁迅为代表的对封建文化的批判,又有废名、沈从文对田园风情的向往,还有赵树理影响下的对国家政治的拥护。风景画风俗画在文化与政治,理性与人性的纠缠中被不断地描摹与修改。
The description of landscape painting and genre painting is the widespread arctic technique in Chinese local novel. In different time and region, the writers with the different individuality unfold the different esthetic shapes by the aid of them：the critique about feudal culture such as Lu Xun, the yearning for rural scenery such as Fei ruing and Shen Congwen, the support for national politics under the Zhao Shuli＇s influence. The painting of landscape and genre is descibed and revised in the tangle of culture and politics, the rationality and humanity.
出处
《沧州师范学院学报》
2006年第1期23-25,共3页
Journal of Cangzhou Normal University
关键词
乡土小说
风景画
风俗画
文化
Local novel
Landscape painting
Genre painting
Culture
