摘要
悲剧是文学永恒的主题,生存的悲剧意识则是贯穿文学的一个经典主题。余华是一位充满悲剧精神的作家,而对作品的荒诞和非理性化处理是他表现生存悲剧意识的有力手法。余华的代表作《活着》,传达出强烈的人类生存悲剧意识与荒诞境遇,并且试图以道家式的“忘”来消解人类的生存悲剧。
While tragedy is an eternal literary theme, the sense of tragedy concerning human existence is a classical topic of literature. Yu Hua proves to be a successful tragedy writer in that he expresses this sense by means of absurdity and irrationality. Being Alive, his masterpiece, highlights the tragedy sense concerning human existence and grotesque fate, and attempts to defuse the tragedy by means of a Taoist solution： ＂to forget＂.
出处
《浙江师范大学学报（社会科学版）》
2006年第4期30-32,共3页
Journal of Zhejiang Normal University(Social Sciences)
关键词
《活着》
现代悲剧
生存苦难
荒诞
忘
Being Alive
Modern Tragedy
Sufferings of Life
Absurdity
to Forget
