摘要
肉傀儡是宋代傀儡戏五种形式之一,可见之记载只活动于南宋。它出现的时期正是中国戏曲的雏形期,望文生义,它似乎是由“傀儡戏”向“人戏”过渡的一个中间形态,所以诸多戏曲史家都对它有所着力。学界对肉傀儡的解释可以概括为五种:大人擎儿童歌舞;布袋戏;双簧;台阁;假面戏曲、说唱表演。本文对上述说法分别进行了辨析,并对有关信息重新解读,以证肉傀儡出自对杖头、悬丝傀儡的模仿,且有两种不同的形态。
As one of the five main puppet forms in the Song dynasty, ＂body puppet＂, according to available records, was only active in the Southern Song Dynasty. As it appeared in the embryonic stage in the development of Chinese traditional drama, it could be seen as a transient form between the ＂puppet＂ show and the ＂real＂ show and has received much scholarly attention from historians of Chinese traditional theatre. Researchers disagree on the forms of ＂body＂ puppet. This paper studies and analyzes existing views and concludes that ＂body＂ puppet is an imitation of rod puppet and string puppet and that it has two different forms.
出处
《戏剧（中央戏剧学院学报）》
CSSCI
北大核心
2006年第2期78-80,81-88,共11页
Drama:The Journal of the Central Academy of Drama
