摘要
浙江省《十五贯》整理小组改编、陈静执笔的昆曲《十五贯》是1950年代最重要的戏剧作品,通过原始材料的重读,可以确定剧本改编于1955年冬,1956年元旦首次公演。但国风昆剧团1953年前后就已经开始改编并且演出该剧目。对比三个《十五贯》早期剧本,重新评价陈静执笔的改编本《十五贯》之成就与得失,是还历史以真实的重要工作。但《十五贯》改编的深远意义,还需要从超越这一具体剧目甚至昆曲这个剧种的立场去解读,回到1956年的戏剧现实语境,《十五贯》的成功为大量歌颂“清官”的传统剧目赢得了重登舞台的机会,传统戏剧因此获得了更大的当代生存空间,这才是该剧无与伦比的历史贡献。
This paper attempts to document the creation process of Fifteen Strings of Coins probably the greatest success on Chinese opera stage in the 1950s, which is adapted by Zhejiang Kunju Troupe and written by Chen Jiang. As the original story has become blurred with the passage of time, the paper tries to ascertain the truth by studying first hand materials and comparing three adaptations of the play. It concludes that the most significant contribution of Chen Jiang＇ s adaptation was the ensuing stage rejuvenation of the traditional Chinese operas about upright officials, which opended new space for traditional Chinese operas under the unique special social circumstances of the 1950s.
出处
《戏剧（中央戏剧学院学报）》
CSSCI
北大核心
2006年第2期67-77,共11页
Drama:The Journal of the Central Academy of Drama
关键词
昆曲
《十五贯》
清官戏
Kunqu-opera Fifteen Strings of Coins operas about upright officials
