摘要
汉大赋在汉代文学中占有举足轻重的地位,赋家们第一次将自然景物作为描绘的重心,其景物描写不再是作家感情、心志的载体,而是一种独立的自然存在,状物细腻,描摹逼真。内容上“苞括宇宙,总揽人物”,描写上移步换形、穷形尽相,动静结合、错落有致,词藻华丽、文气充沛,把我国古代文学推向了一个崭新阶段。
＂Han Da Fu＂ occupies a pivotal position in the literature of the Han Dynasty. The writers focus upon the description tithe natural scenery and objects for the first time. Scenic description is not the carriers of writer＇s passion and mind but a natural and independent being with the characteristic feature of minute and vivid description. Their writings are so peculiar in the content including the universe and referring to the characters, in the descriptive method of transformation with the static and dynamic combination, elegant style and flowery diction that it suggests that another new stage of ancient literature approaches.
出处
《达县师范高等专科学校学报》
2006年第4期36-40,共5页
Journal of Daxian Teachers College
关键词
汉大赋
自然物
描绘
＂Han Da Fu＂
natural objects
depiction
