摘要
四弦高音柳琴的改革成功,结束了二百多年来,柳琴仅用于戏曲伴奏的历史,使其登上了独奏、协奏舞台,能演奏古今中外各类乐曲,并广泛用于合奏、重奏、歌剧、影视等各类中、西电声乐队,柳琴在中国音乐中的作用和地位,引起了音乐界的关注,得到了专家们的赞誉,称之为“填补了我国民族乐队中缺乏高音弹拨乐器的空白”、“从有效弦长、品的位置、弦张力和琴箱共鸣音等设计制作上证实符合科学原理,这在乐器史上是难能可贵的,四弦高音柳琴改革是成功的,已经得到国内外的共认和肯定,取得了良好的社会效果和经济效益,达到国内先进水平,是一项在我国民族乐器改革中具有突破性意义的科研成果”。(引自“鉴定意见”)
The successful reform of the four-string high-pitched instrument Liuqin has ended its 200 years' history of being used only as accompanying instrument for traditional opera performances, and has made it a solo or ensemble instrument which can used in all forms of ensemble, orchestra, opera,movie and television. The role of Liuqin in Chinese music has aroused attention and appraisal from music professionals. According to some experts,it 'filled in the gap where there was lack of high-pitched plucking instrument in Chinese national music ensembles'and 'proved that scientific principles applied to the designs and production of the instrument in terms of its effective string length, position of bridges,string tension and resonance effects, and that the successful reform of this four-string high-pitched Liuqi, unprecedented in the history of musical instruments, became a scientific breakthrough in the reforms of Chinese traditional instruments. Being at the domestically highest level, it has been recognized both at home and abroad, and has also resulted in favorable social and economic effects. Over the past forty years or so, with increasing public performances and radio/television shows as well as publications of records,cassette tapes, VCDs and teaching materials, there have been more and more lovers of the art of Liuqin and professional instrumentalist of Liuqin,while at the same time it has been favored by more composers whose new works for this instrument are being created. Inspiringly, with new generations of Liuqin artists coming out, this art has been further developed in more depth and in larger scope as well.
出处
《人民音乐(评论)》
CSSCI
北大核心
2006年第5期48-50,96,共3页
Peoples Music