摘要
该文从新疆呼图壁康家石门子岩画的地理位置、图形分布和制作方式等方面入手,论述了此处岩画的刻制技术和规模,分析了岩画的造型特点和技术方式,并提出下移式刻制岩画的观点,解释了位置较高部位岩画的制作方法和步骤,为进一步理解和研究呼图壁乃至天山岩画的刻制方式提供了新的理论依据。
The paper discusses the painting skill and scope from the geo-position, picture arrangement and painting method of Kangjiashimenzi fresco in Hutubi county. It emphatically analyzes the fresco' s shape features and painting styles, puts forward the down-moving fresco carving idea, explains the painting methods and procedures of higher pesition frescoes. It provides us with new theoretical grounds for further understanding and studying the carving methods of Hutubi frescoes, even those places in the Tianshan Mountains
出处
《石河子大学学报(哲学社会科学版)》
2006年第2期1-3,共3页
Journal of Shihezi University(Philosophy and Social Sciences)
基金
自治区哲学社会科学基金项目(04BSH016)
关键词
新疆
岩画
图形分布
造型特点
制作方式
Xinjiang
fresco
picture distribution
shape feature
painting method