摘要
印度佛教雕塑艺术在传入中国的过程中,并没有完全因袭印度佛雕的题材、内容和形式,而是在中国传统雕塑艺术的基础上,吸收了印度雕塑艺术的新鲜血液,融合为中国式的佛教雕塑艺术,在漫长的演变过程中,逐渐形成了以民族化和世俗化为特点的中国雕塑艺术,这在南北朝时期就已经初见端倪。
In the course of its introduction to China, the Arts of Indian Buddhist sculpture didn＇t follow the subject matter, the contents and form of the Indina Buddhist sculpture. Instead,based on the Chinese traditional sculpture, it drew the fresh blood from the Indian sculpture, mixed together, and formed the arts of the Buddhist sculpture with Chinese characteristics and the features of nationalzafion and common customs,about which a vaue notion appeared in the period of Northern and southern Dynasties.
出处
《广西大学梧州分校学报》
2006年第1期49-51,共3页
Journal of Guangxi University Wuzhou Branch
关键词
佛教雕塑
演变
民族化
世俗化
Buddhist Sculpture
evolution
nationlization
common customs
