摘要
“二女 +男”文学模式是中国现代文学中反复出现的一种原型模式。该模式的发生可以追溯到中国的古代文学 ,是其频繁演绎的一个叙事母题。中国现代文学中“二女 +男”模式的发展过程 ,正是 2 0世纪上半叶中国社会结构、文化传统、群体心理辩证发展的一个缩影 。
The ＂two women ＋ one man＂ literary mode is a repeatedly used archetype in modem Chinese literature, the origin of the mode can be traced back into the ancient times. It was a motif of many narrative stories even then. The author has studied the literary works of the 1930＇ s and 1940＇ s as a whole. In my thesis, by combining other scientific search fruits, I will try to inquire into the mode under the framework of archetypal criticism. There are three parts in this article： review of the mode＇ s history, the mode＇ s present development and a cultural reconsideration. All these three parts will be stung together by the clue of Mode Origin Mode Displacement Theory Development. The development of the ＂two women ＋ one man＂ mode in modem Chinese literature is a epitome of the dialectical development of Chinese social structure, cultural tradition, and group psychology in the first half of the 20th century. It is of great academic study importance.
出处
《宜春学院学报》
2005年第1期45-51,共7页
Journal of Yichun University
关键词
“二女+男”模式
原型
结构
文化
心理
置换变形
＂two women ＋ one man＂ mode
archetype
structure
culture
psychology
displacement
