摘要
欧阳询在初唐四家中,以其强烈的美学风格卓然独立。他在继承魏晋六朝书法美学特点的同时,自觉吸收北朝康健爽达的美学风气,形成重法尚意的美学思想。其书作亦表现出质妍互重、骨韵兼并的美学风格。
Among the four briUiant calligraphers in early Tang Dynasty, Ouyang Xun stands out with his strong aesthetic style. While he inherited the aesthetic features of Wei-Jin and Six-Dynasty Periods, he consciously assimilated the aesthetic style of health and facility in the Northern Period, forming aesthetic ideas of stressing calligraphy and appreciating implications. His calligraphy exhibited aesthetic style of combinations of inner and outer qualities and of inner and outer beauties.
出处
《咸阳师范学院学报》
2006年第1期80-82,共3页
Journal of Xianyang Normal University
关键词
欧阳询
初唐四家
书法美学
重法尚意
Ouyang Xun
the four brilliant calligraphers in early Tang Dynasty
calligraphy aesthetics
stressing calligraphy and appreciating implications
