摘要
《边城》所描摹的湘西风土人情的生动画卷,总能让人感觉出一种“仙”味来,原因在于沈从文是以“拟仙”的方式来构筑自己的人生和美学理想的。这种“拟仙”通过仙境构拟、仙人构拟、仙事构拟营造出了一个包涵着作者人生思考的桃源世界。因而《边城》所构筑的“仙”境,实乃“人”境,是人生苦与乐、酸与甜的理想化显现。
Shen Cong-wen constructs his life and aesthetic ideology in terms of fairy imitation, that is why we get a fairy expression in reading his vivid descriptions of the customs and cultures in west Hunan Province. His fairy imitation , which is made up of the imitations of fairyland, fairy events and immortals, brings us to an ideal Eden secluded to the outside world. The author＇s meditation about life finds a good expression in the happy fairyland. So, it is safe to say that the fairyland implies real human society in the bottom. It is an idealized depiction of people＇s happiness and sufferings, agony and sweetness.
出处
《泰山学院学报》
2005年第5期46-49,共4页
Journal of Taishan University
关键词
沈从文
《边城》
拟仙
Shen Cong - wen
Frontier City
fairy imitation
