摘要
本文以“索隐”、“考证”、“批评”三大红学流派为基点,探讨近代中国三次社会转型与红学批评范式转换的关系,在指出上述批评范式不同程度遮蔽了《红楼梦》审美视线因而其诠释维度有限的同时,也肯定它们在红学发展史上的作用,并对这门东方显学的突破契机、发展前景进行展望。
Based on references, textual researches and critical approaches, this paper discusses the three social transformations in modern China and their relations with the paradigms in criticisms of The Red Chamber Dream. These paradigms, on one hand, disguised the aesthetic perspectives to the novel owing to their limited interpretative dimensions, but on the other, they had played an important role in the development of The Red Chamber Dream criticism, thus preparing the way for the breakthrough and future development of this oriental study.
出处
《文艺研究》
CSSCI
北大核心
2006年第2期61-65,共5页
Literature & Art Studies
