摘要
本文从元末明初不同文学家与文学批评家对文学之“气”的不同认识入手,具体论述该时期文学思想的发展变化;并着意以前人论述较少的方孝孺为重点,深入探讨其文学思想的内涵、特征及成因,认为他的文学思想尽管具有浓厚的儒家色彩,但由于其充沛之气的贯穿,依然表现出了高昂正大的气势。文章将历史思潮、文学创作与批评理论结合起来,力图描述出元明之际文学思想的动态发展过程。
The intellectual understanding of Qi by different writers and literary critics at the turn of Ming and Yuan dynasties indicates the development and changes of literary thoughts of the period. This paper takes its emphasis on the comparatively overlooked literary ideas of Fang Xiaoru, thoroughly exploring the connotations, characteristics and causes of formation of his ideas. The author holds that, although immersed in Confucian philosophy, Fang’s literary ideas are adequate with Qi that makes them sublime and just. The paper combines historical tendency, literary writing and critical theory into one, demonstrating a dynamic process of development of literary ideas at the time.
出处
《文艺研究》
CSSCI
北大核心
2006年第1期46-56,共11页
Literature & Art Studies
基金
教育部高校青年教师奖资助项目
北京市属市管高校人才强教计划资助项目。
