摘要
孔子“古之学者为己,今之学者为人”这一包含浓厚怀古情结和复古情愫的经典名言,不仅在学术文化上堪称“切而要”的深刻论断,抓到了历史的要害和痛处,在审美文化上看更是富有巨大的历史穿透力。后世中国影响甚大且得到广泛唱和的复古诗学,仿佛就从艺术创造、美学生发的维度为这一名言作了一个触类旁通的大注脚!
Confucius＇ s classical saying： ＂Ancient Scholars are for Themselves, Modem Scholars are for Others＂ implies a kind of strong complex for meditating upon and returning to the past. It is not only a ＂precise and concise＂ and profound judgment of scholastic culture, but also a concept of tremendous penetration into the history of aesthetic culture. The poetics of returning to the ancient, which has played a great and wide role in Chinese literature, seems like a big footnote, explaining the above - mentioned classical saying from the perspective of art creativity and aesthetic development. Once we grasp this big footnote, we shall grasp the whole category.
出处
《上海师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2006年第1期41-47,共7页
Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)
基金
国家社会科学基金项目<中国复古文学思想研究>(批准号03BZW008)成果的一部分
关键词
古今对照
为己之学
为人之学
审美文化
复古
comparison and contrast of the ancient with the modem, scholarship for oneself, scholarship for others, aesthetic culture, returning to the ancient
