摘要
全球化语境中的文化建构备受瞻目,且呈多元开放态势。对于中国审美文化的现代化建设来说,必须兼顾主流文化、精英文化、大众文化和民间文化等4种背景,借此推进消费时代文化功能的整体优化。其中,以巴赫金的“对话理论”和托多罗夫的“对话批评”为代表的对话主义新思维对当下中国文化的现代提升颇多启示。
Cultural construction in globalization context is conspicuous and tends to open to the outside world in different dimensions. In the modernization of Chinese aesthetic culture, mainstream-culture, elite culture, popular culture and folk culture must be considered for the sake of integral optimization of cultural functions of consuming-oriented era. Among them, new thought of dialoguism represented by Balhekin＇s“dialogue theory” and Tordolphin＇s ;“dialogue criticism” helps a lot in modern promotion of Chinese culture.
出处
《辽宁师范大学学报（社会科学版）》
2006年第1期85-89,共5页
Journal of Liaoning Normal University(Social Science Edition)
基金
湖北省教育厅十五规划重点课题资助项目(2003Z050)
关键词
全球化语境
文化建构
审美文化
巴赫金
托多罗夫
对话主义
现代提升
globalization context
cultural construction
aesthetic culture
Balhekin
Tordolphin
dlaloguism
modem promotion
