摘要
笔墨造型是中国画的精髓,它有几千年的历史积淀,随时代的发展而发展,有选择地融合东西方绘画语汇和传统与现代的笔墨观。形成了当代中国画写实和写意两大笔墨造型阵营,并在开放和借鉴中继续发展。
The marrow of Chinese painting is the traditional mold making by using pen and ink. Because of the historical accumulation of painting history in China, which has Lasted for tousands of yars, using pen and ink should go with times and innovating the mold - making in the development of times. We should merge both cast and west language of painting with traditional and modern pen and ink - using view selectively. Contemporary Chinese painting moves towards two major camps of mold - making, paint realistically and freehand hrushwork, and the contemporary mold - making of using pen and ink is also continuing developing under the open - minded state and reference.
出处
《湖州职业技术学院学报》
2005年第4期46-48,64,共4页
Journal of Huzhou Vocational and Technological College
基金
湖州师范学院级课题"论中国画教学中的笔墨与造型"(KJ26002)的研究成果
关键词
中国画
笔墨造型
写实造型
写意造型
Chinese painting
mold - making of using pen and ink
mold - making of painting realistically
mold - making of freehand brushwork
