摘要
逻各斯理性主义是古典西方美学发展史上的一条清晰的脉动,如果说在叔本华、尼采那儿它开始遭到了非理性的生命意志的拒斥,那么在这它则遭受了沉重的一击,由是解构主义美学让人们转向世界的另一层面,感受到美学那充满感性的生命之光的烛照。
The Logos rationalism is a distinct throb in the history of the development of the western classical aesthetics. Although it was first defied and rejected by Schopenhauer and Nietzsche＇ s will of non-rationality, the rationality was not thoroughly destroyed until by the deconstructionism aesthetics. Thus people were diverted to perceptual aspect of the world, and felt the life light of aesthetics which was filled with perception as well.
出处
《铜仁师范高等专科学校学报》
2005年第6期16-19,共4页
Journal of Tongren Teachers College
关键词
逻各斯
解构主义
差异
感性之光
the Logos
deconstructionism
differane
perceptual light
