摘要
“赞而不露”这种写作艺术最早出现于唐代,清代已广为流传,尤其是在清代岔曲中运用得十分纯熟,是我国古典文学中宝贵的财富。分析探讨岔曲中《赞琴》、《赞棋》、《赞书》、《赞画》、《赞风》、《赞雨》却“赞而不露”的写作艺术,对更好地继承和发扬这一古老艺术具有重要意义。
The type of literature, “Connotative Praise”, initially appeared in Tang, and widely spread in Qing. Nowadays, in the 21st century, it is a pity that Chaqu is seldom sung, and nearly lost. The thesis analyzes the connotative praise in Chaqu, through its praises of lute - playing, chess, calligraphy, painting, wind, and rain to make the posterity know about the art.
出处
《河南大学学报（社会科学版）》
北大核心
2005年第6期110-112,共3页
Journal of Henan University(Social Sciences）
关键词
岔曲
艺术特色
赞而不露
用典
押韵
诗化
literature and art
classical poesy
connotative praise
lute playing, chess, calligraphy, and painting - accomplishments of a scholar of the old school
