摘要
北碑和南帖作为中国书法的两大体系,自“永嘉之乱”后分庭抗礼一千六百余年,而今分头递进的空间日趋狭小,融合势在必行。本文尝试在书法史的背景下,对碑帖的分疆进行宏观地梳理,进而从书法的社会性及其发展规律入手,揭示碑帖融合的可能性与必然性。
As two major calligraphic schools in China, “Bei Bei” （ Rubbing from A Stone Inscription popular in the Northern China） and “Nan Tie” （ learning handwriting or painting from a book popular in Southern China） has opposed with each other for more than one thousand and six hundred years since “the Chaos in Jia-qing Period”. But now the divergences between them are diminishing and they are moving to fusion. As a result, from the angle of development laws and calligraphic sociality, this paper tries to reveal the fusion feasibility and inevitability of different “Bei Tie” in the context of calligraphy history by summarizing the controversies of different calligraphic learning methods.
出处
《三峡大学学报（人文社会科学版）》
2005年第4期62-65,共4页
Journal of China Three Gorges University(Humanities & Social Sciences)
关键词
碑
帖
融合
可能性
必然性
Bei （tablet）
Tie （ a book containing models of handwriting or painting for learners to copy）
fusion
feasibility
Inevitability
