摘要
文化殖民是日本在华殖民统治的有机组成部分。在以北京为中心的华北沦陷区,日伪当局对文坛进行了积极的政治干预,企图把文艺纳入为“大东亚共荣圈”服务的轨道,但北京大多数知识分子和作家没有屈从于法西斯军事统治的淫威,北京文学的主体仍顽强地沿着五四新文学开创的道路迂曲生长,保持着不能扼杀的民族精神。
During the Sino-Japanese War period, in order to push the advocated “East Asia Coprosperity”, both Japanese government and Chinese Puppet Government attempted to put a high hand on the literature circle in North China, Beijing especially. However, most intellectuals and authors stuck fearlessly to the tradition of the May 4th. Movement of 1919, showing the indelible spirit of the nation despite of the pressure of Fascist.
出处
《北京社会科学》
CSSCI
北大核心
2005年第4期12-21,共10页
Social Sciences of Beijing
