摘要
曹禺剧作中的男性形象大体可以分为两类,一类是“懦弱型”的儿子,一类则是“权威型”的父亲。作为对立面的父与子,强与弱的反差造成了父子之间的冲突缺少一种斗争的张力,因而曹禺剧作中的“父子冲突”始终未能真正形成。而曹禺的这种创作倾向是与他的个性气质、家庭环境、童年生活及民族文化心理等诸多因素相关的。对曹禺而言,他的创作可能无法超越自身的情感体验。
Generally, the male characters in Cao Yu＇s plays can be divided into two types： the coward- type son and the authority - type father. The contrast of the strong and the weak makes the conflict between father and son who are antagonistic to each other lack a tension of struggle. Therefore, the “father and son conflict” in Cao Yu＇s plays fails to take shape all the time. This writing inclination of Cao Yu is related to his individual character, the family environment, his childhood and the national cultural psychology. For Cao Yu, his creation may be unable to surmount his own emotional experience.
出处
《安徽师范大学学报（社会科学版）》
2005年第5期547-550,566,共5页
Journal of Anhui Normal University(Hum.&Soc.Sci.)
关键词
父子冲突
仇父恋母
“懦弱型”
“权威型”
the conflict between father and son
hatred of father and love for mother
coward-type
authority-type
