摘要
1920年代,法国兴起了超现实主义电影。本文着重研究它的主要代表作家作品,总结它的总体特征和意义,指出它对于人的精神领域、特别是人的无意识心理的探索,对于电影表现领域的开拓,自动的写作方法,所触及的社会问题,与其他艺术流派的关系,以及它所预示的当今人类的特殊矛盾与危机。
Surrealistic film occurred in France in 1920s. This paper focuses on its representative artists and their works, summarizes its general characteristics and significance, and points out its exploration of man＇s spiritual domain, his unconsciousness in particular, its development of cinematic expressive dimensions, its automatic writing, the social problems it touches upon, its relations with other artistic schools, and the specific contradiction and crisis of modern man it has predicted.
出处
《南京师范大学文学院学报》
2005年第3期18-28,共11页
Journal of School of Chinese Language and Culture Nanjing Normal University
关键词
超现实主义电影
无意识
自动写作
surrealistic film
unconsciousness
automatic writing
