摘要
20世纪20年代末开始,革命理性成为一种权力话语被置于文学实践的中心位置。在这一文学实践中,女性身体一方面作为被压制的对象,另一方面成为文学捕捉个体与革命之间微妙关系的媒介。本文以蒋光慈、丁玲、茅盾3位作家为重点,通过女身叙事透视20年代末期个人与革命、个体书写与历史宏大叙事之间的关系。
From the and of the 1920s, revolutionary rationality was put in the central position of the literary as a discourse of power. In this literary practice, on the one hand, female bodies were the objects of oppression, and the other hand, they became the medium used in literature to catch the subtle relationship between individuals and revolution. Focusing on the three great writers Jiang Guangci, Ding Ling, and Mao Dun, this paper attempts to penetrate through the cut of female body narration to investigate the relationship between individuals and revolution as well as that between individual writing and the grand history narration
出处
《中国文学研究》
北大核心
2005年第4期75-79,110,共6页
Research of Chinese Literature
关键词
革命理性
女性身体
revolutionary rationality
female body
