摘要
笔者通过对中国现代文学史牧歌式作品的纵览,发现一个普遍现象是所有的牧歌作家无一例外地都特别钟情于书写澄澈纯净的乡土少女,把乡土少女作为其审美寄托的对象。反过来,乡土少女形象也成了组构其作品的“牧歌情调”的重要元素。论文以刘庆邦作品为个案,从四个角度分析了乡土少女形象与牧歌情调的天然契合关系。
Through analysis of the pastoral works on the Chinese modem literature history, the author discovers a widespread phenomenon that all the pastoral writers like and do well in depicting pure rural girls specially, taking their images as their aesthetic pursuit. On the contrary, the rural girl images have formed an important element of pastoral sentiment. The paper emphasizes on the natural connection between the rural gid images and pastoral sentiment from four aspects, with Liu Qingbang＇s novels as an example.
出处
《江西科技师范学院学报》
2005年第3期76-79,共4页
Journal of Nanchang Vocational & Technical Techers' College
关键词
牧歌情调
乡土少女
刘庆邦
pastoral sentiment
rural girls
Liu Qingbang
