摘要
《淮南子》展现的美学思想,不是所谓的“杂家”,而是典型的道家-道教一脉。在其内容丰富的美学思想中,以“一”为至美的道家美学本体论,“美人不同面”的多样化美学标准,“不待脂粉芳泽”及“西施粉黛”的艺术美论,“形、气、神”为中心的审美意识论,都是典型的道家-道教的美学阐发。
The aesthetic thoughts as reflected in Huai Nan Zi are not from manifold School as many people believe, but belong to typical Taoist School-Taoism thoughts. Among its complicated aesthetic thoughts, there are Taoist aesthetic ontology of Yi which is supreme beauty, the manifold aesthetic standard that beauty is multi-dimensional, the theory of artistic beauty that beauty is rooted in nature and essential dressing is very important, and the theory of aesthet＇ic consciousness that concentrates on body, qi and inner spirit. All these above-mentioned thoughts are typical aesthetic expression of Taoist School - Taoism and have great impact on Taoist aesthetics in later ages.
出处
《四川大学学报（哲学社会科学版）》
CSSCI
北大核心
2005年第4期53-57,共5页
Journal of Sichuan University：Philosophy and Social Science Edition
关键词
《淮南子》
道家一道教
美学思想
Huai Nan Zi
Taoist School-Taoism
aesthetic thought
