摘要
20世纪初,中国文学批评从批评观念、方法、话语、活动方式等层面建构现代范式。其中西方与本土的关系、传统与现代的关系、文学批评审美独立性追求与社会关怀意识的关系、文学批评自身价值体系与文学商业化的关系等,是贯穿始终的课题,不仅当时大多数批评家必须面对,他们的所思所为至今仍然值得批评界反思与借鉴。
In the early 20th century, the Chinese literary criticism constructed a modern critical paradigm on such various levels as critical concepts, methods, discourse and ways of activity. Four topics that not only did every critics of the time had to face, but contemporary critics must also take careful consideration are. 1） the relation between the West and our native land; 2） the relation between traditional and modern criticisms; 3） the relation between the aesthetic functions of literary criticism and its deep social concern; 4） the relation between the independence and autonomy of literary criticism and literature commercialization.
出处
《华中师范大学学报（人文社会科学版）》
CSSCI
北大核心
2005年第5期88-93,共6页
Journal of Central China Normal University:Humanities and Social Sciences
基金
国家社会科学基金项目"20世纪中国文学理论批评的发展与建构"(01BZW004)
关键词
现代批评
批评范式
外来影响
审美现代性
modern criticism
critical paradigm
foreign influence
aesthetic modernity
