摘要
歌德的谣曲创作展现了歌德文学创作风格从狂飙突进向古典主义的转换。歌德把谣曲喻为诗歌鼻祖,他的早期谣曲创作具有明显的狂飙突进印记。进入古典主义文学时期后,他和席勒对谣曲进行了理论探讨,并由此形成德国哲理谣曲高峰。
By analyzing Geothe＇s creation of ballads, this article aims to elaborate on the transition of his literary style from the Hurricane Period to the Classical Period. Goethe used to regard the ballad as the precursor of the verse. The ballads he created show marked features of the Hurricane Period. Into the Classical Period, however, he and Schiller studied the ballad from a theoretical perspective, thus inaugurating a new era of the German philosophical ballads.
出处
《解放军外国语学院学报》
北大核心
2005年第5期90-93,共4页
Journal of PLA University of Foreign Languages
