摘要
王蒙小说中的准自传型主人公叙述视角往往具有双重性,即一个是追忆往事的主人公的视角,一个是被追忆的主人公在当时正在经历往事时的视角.这两个视角是成熟与幼稚、超然事外与不明真相之间的对比,于是构成叙述张力.由于主人公视角的双重性,就使这个视角同时成为叙述人视角;由于主人公的准自传身份,实质上又折射出作者的声音.这样,王蒙的小说就成为由两个世界叠加而成的立体世界,一个是作者所在的现实生活世界,一个是虚构的小说世界.这两个世界的相互审视,就使王蒙小说具有了历史的纵深感.
The semi-autobiographical protagon narrative points of view： the narrator has the past and the protagonist experiencing the past. isis in Wang Meng＇s novels are characterized by the double duplicity of being at once the protagonist reminiscing the These two voices are different; experienced vs. innocent, indifferent vs. ignorant, therefore these two voices forming a narrative tension. Due to the duplicity of the narrator＇s point of view, the voice assumes at once the role of the narrator and that of the semiautobiographical protagonist, and reflects the writer＇s mental state as well. The writer＇s direct statement and discussion in the work especially render the writer＇s voice an image in the novel; thereupon, Wang Meng＇s novels are composed of two worlds, one the writer＇s world of fact and the other the world of fiction. The observation of the two worlds renders Wang Meng＇s novels a great historic significance. But the process of constructing the complicated world involves the reader＇s participation and reproduction. Besides, Wang Meng makes use of the multiple and ambiguous points of view, which reflects the writer＇s cognition and understanding of the complexity of the world.
出处
《西北师大学报（社会科学版）》
北大核心
2005年第5期114-119,共6页
Journal of Northwest Normal University(Social Sciences)
关键词
王蒙小说
叙述视角
叙述声音
Wang Meng
narrative points of view
narrative voice
multiple points of view
ambiguous perspeclive
