摘要
魔幻化是20世纪50—70年代拉美文学的突出特征。随着第三世界国家和民族的崛起,文坛的魔幻化倾向愈加普遍和鲜明。魔幻化与文化杂交过程中作家文化身份的演变有着内在的关系,显现出了世纪之交世界文坛发展演变的现象之一:在全球化与本土化、外来的异质文化与民族传统文化的冲突和互动中,作家的文化身份和本土民族传统文化均发生转型演变,这是一个漫长的过程;在相当长的一个时期内,本土化和民族性将占上风;受此影响,作家在创作中极力突出民族特色,但又因自身文化身份的模糊对传统文化做出了不同以往的诠释,魔幻化倾向由此而生;魔幻化在发展中民族的文化转型和民族新文学的建构中是否具有规律性意义,值得进一步深入研讨。
Demonization, a prominent feature of Latin-American literature between the 1950＇s and the 1970＇s, became a more and more universal and distictive trend of the literary world later with the emergence of the 3rd World countries and nations. Demonization was internally connected with change of the writer＇s identity in the course of cultural intermarriage, arising as one of the phenomena of evolution in the global literary world at the turn of the century. In conflicts and interactions between globalization and naturalization and between foreign culture and national culture, it takes a long time for the writer and his native culture to transform in identity. In a long period of time, naturalization and nationality will take the superiority, under these circumstances, the writer will try his best to protrude his national distinction, but will interpret traditional culture differently from the former times owing to the obscurity of his cultural identity, hence the tendency of demonization. Whether or not demonization is of regularity significance in cultural transformation of the developing nations and the configuration of new national literature deserves to be further explored.
出处
《陕西师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2005年第5期60-65,共6页
Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)
基金
陕西省哲学社会科学研究"十五"规划课题
