摘要
一般以为人类对“影子”的认识及古代方士的“弄影术”,是我国影戏的远源,而佛教文化则是其近缘,人们或以为它脱胎于僧侣俗讲,或以为它蜕变于佛徒的“以影说法”。但作者以为出现于辽、宋时期的“手伎”表演,尤其又是其中之一的“手影戏”,对影戏的形成也有重要影响。
It is generally believed that the cognition of “shadow” and the skill of “play shadow” by culture is its near source. Some consider it derives from saying spread by monks and other assume it comes from Buddha culture. The author believes the “Zashouyi” and the “hand shadow play” in Liao and Song dynasty have an important influence on the shadow play.
出处
《重庆工学院学报》
2005年第7期101-103,106,共4页
Journal of Chongqing Institute of Technology
关键词
手伎
手影戏
影戏
Zashouyi
hand shadow play
shadow play
