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狂欢化的诗性与人性童话——论金波《乌丢丢的奇遇》的文体开放性与复调对话结构

Carnivalized Fairytale with Poetry and Human Nature——To Analyze the Open Style and Polyphony Dialogue Structure on Jinbo's Fairytale Wudiudiu's Tour
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摘要 将巴赫金的理论移植入金波童话新作《乌丢丢的奇遇》,向人们展示这部童话的魅力,不仅抑制了外在的权威话语,并独创了这种既诗又童话的开放文体,即诗性童话。通过运用复调理论的解读,发现作家不仅在作品中表现了多种平等意识的多声部复调对话,而且还塑造了一个复调的人,在童话中真正复归人性。 Bakhtin' s carnival poetics and polyphony dialogue theory have played a more and more significant role in Chinese literary criticism,Under such influence, some scholars have introduced it into dramatic field. This paper tries to demonstrate the charm of Jinbo' s new fairytale Wudiudiu' s Tour by analyzing Bakhtin' s theory. It not only restrains the external authoritative discourse, but also creates this open style with poem and fairytale, that is, poetic fairytale. After further reading with polyphony theory, the writher displays polyphony dialogue with a variety of equal awareness as well as a protagonist with polyphony, who really return to human nature in the fairytale.
作者 王家勇
出处 《湖南人文科技学院学报》 2005年第4期78-80,共3页 Journal of Hunan University of Humanities,Science and Technology
关键词 《乌丢丢的奇遇》 诗性童话 人性童话 Wu diudiu's Tour poetic fairytale fairytale with human nature
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