摘要
博物馆和艺术史之间一直存在着相互关联、并行不悖的关系。博物馆通常沿用艺术史的叙述模式,按照年代顺序陈列展品。而实际上,通过直观的欣赏,博物馆可以向观众传达策展人的意图和对作品的"诠释",只是目前看来,布展的"诗学"尚未得到足够的重视。本文通过介绍分析华盛顿国家画廊伊斯兰艺术展、纽约现代艺术博物馆中马蒂斯《舞Ⅰ》的陈列方式、葡萄牙殖民开拓艺术展、安纳托利亚小地毯展,以及提埃波罗绘画细节摄影展,说明作为一个整体的博物馆,其作用远大于所有藏品简单相加的总和,它本身就是一种叙述方式、一件"艺术作品",值得学习研究。
The relationship between museum and art history is related and parallel.Generally,art museums employ the story of art presented in art history books and arrange their collections chronologically.In fact,by leading visitors directly to works of art,curators' intention and interpretation to works are made clear.Unfortunately,the 'poetics' of museum installation lacks serious consideration at the moment.Therefore,five major recent exhibitions are introduced and analyzed so as to prove that as a whole the museum,being a form of narrative and a 'work of art' in its own right,is over and above the sum of its parts.
出处
《文化艺术研究》
2010年第3期233-238,共6页
Studies in Culture and Art
