摘要
《乐学轨范》所录唐乐是来自中国古代的音乐,其中唐琵琶乐调一方面说明当时传入朝鲜的琵琶乐调,也在一定程度上呈现出宋代琵琶乐调的面貌。唐琵琶的形制保存了中国唐宋时期琵琶的特点,唐琵琶上用于"唐乐"的"上调"和"下调",对照律吕名称可能是宋代燕乐调中的"中吕宫"和"南吕宫"。唐琵琶上用于"乡乐"的"平调"和"界面调"是相差一个大二度的两个调高,而平调的最早来源是汉代的"相和三调"。唐琵琶乐调对于中韩乐律学史具有难得的研究价值。
Akhakgwebeom(A Guide to the study of Music) records ancient music of the Tang Dynasty in China,among which the pipa(a plucked string instrument with a fretted fingerboard four-stringed Chinese lute) mode also presents certain features of the Song Dynasty.As pipa in the book remains similar to the instrument in the Tang and Song Dynasties in form,its 'high mode' and 'low mode' that are the two tunings for playing Tang music(music for meeting and banquet) might correspond to the 'zhonglv mode' and 'nanlv mode' of yan music(royal court music for banquet) in the Song Dynasty of China.Pyeongjo('flat mode') and gyemyeonjo('bound mode') adopted for playing secular music are the two tonal systems with a difference of major second in tonality,and pyeongjo originates from the 'three harmonious modes' in the Han Dynasty of China.Therefore,the pipa mode of the Tang Dynasty is of a unique value of research for both Chinese and Korean studies on temperamentology.
出处
《文化艺术研究》
2010年第2期68-79,共12页
Studies in Culture and Art
