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从“任情率真”到“兴寄讽喻”——论李杜诗歌创作思想的演绎发展 被引量:1

From “Frank Feeling”to “Satirical Allegory” On the Deductive Development of LI Bai's and DU Fu's Artistic Creation
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摘要 文艺思潮作为一种文学观念与文学创作潮流,它与特定的社会思潮相关联,同时又影响、规范作家们的创作活动。李白和杜甫对诗歌艺术的特殊规律,各自进行了他人无法更替的独特探讨。李白对清水芙蓉的诗美的追求,反映了盛唐诗人特有的气魄和自信。而由盛至衰的社会转折则为杜甫提供了更为广阔的生活领域,他在客观、全面地评价历代诗歌和总结诗歌发展规律的基础上,提出了“后贤兼旧制,历代各清规”的著名诗歌观。作为一个朝代的诗歌创作的领军人物,他们的文艺思想在某种程度上代表了唐朝的文艺思想的发展演绎。 As a literary conception and literary trend, literary thought is closely related to a particular social ideological thought and at the same time, it influences and normalizes writers' creative activity. LI Bai and DU Fu each made a unique exploration of the law of poem creation. LI' s pursuit of natural beauty reflects the verve and confidence of Tang Dynasty in its peak. The social declining provided a broader realm for DU Fu so that by summarizing the law of poem development in previous dynasties, he put forward his own view about poem: “combining the traditional with the new, each with its own regulations” . As the vanguards of a dynasty, their literary thoughts represented the literary thought of the deductive development of Tang Dynasty.
作者 张成恩
出处 《涪陵师范学院学报》 2005年第4期66-69,共4页 JOurnal of Fuling Teachers College
关键词 文艺思潮 文艺思想 诗歌 literary trend literary thought poetry
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