摘要
本文对《第一大提琴协奏曲》的创作背景和结构以及作品的特点等方面进行了分析和研究,盼望以一己的粗陋见解,为演奏者提供一定的理论背景,为日后对肖斯塔科维奇及其作品的研究提供一个新的角度。
Shostakovich, one of the greatest composers in 20C, created numerous well-known works, such as fifteen pieces of symphony, fifteen orchestral quartets and his great masterpiece 24 Preludes and Fugues for Piano. The concerns of these works are presented by performers' comprehension, music hobbyists' appreciation and scholars' analysis. Actually, Shostakovich's two concertos for cellos were created in his period of great prosperity and were regarded as masterpiece of cello bank, especially his graceful Cello Concerto No.1. This article analyzes and studies the characteristics of Cello Concerto No. 1, in the hope of offering performers some theoretical background, making composers and theorists pay more attention to cello and providing a new study angle of Shostakovich and his works.
出处
《南京艺术学院学报（音乐与表演版）》
2005年第3期70-72,共3页
Journal of Nanjing Arts Institute:Music & Performance
