摘要
“势”是中国绘画的一个重要范畴,造势是克服静态画面的有效手段,强调以静写动,动静结合,创造出富有运动感的动势。对于造势,创造画面的运动感,书画皆有相通之处。而“势”在实质上不仅是联系画面中点、线、面的纽带,更是情感的载体,心灵的感应。
“Shi” (potential ortendencyin a painting) is a category of traditional Chinese painting. Building an atmospherein painting is an effective method to get over a staticpicture. It emphasizes to paint a motional picture in a still way, and when the motion and the still are banded together, a stirring potentialfull ofa sense of movement is created. Calligraphy and painting are identical in building atmosphere to create sensesof movement. “Shi”, essentially, is not only a band of the dot, line and surface ina painting, but also an emotional carrier and mental telepathy.
出处
《贵州大学学报（艺术版）》
2005年第2期61-63,73,共4页
Journal of Guizhou University Art Edition
关键词
势
置陈布势
容势
形势张力
“shi” (potential ortendency in a painting)
style arrangement
capacity
tension of posture
