摘要
20世纪90年代伴随着数字技术的发展与普及,电影工业产生了一次全新的变革。聚焦近20年来中国武侠电影的发展,数字技术的介入不仅改变了武侠电影原有的生产工艺、运作机制,影响了受众的观影习惯,还对传统武侠电影的创作理念、审美取向和本质属性提出了重新思考的要求。通过对两部不同时期的经典武侠片《少林寺》(1982)和《卧虎藏龙》(2000)的分析、比较,探讨了在数字技术语境下中国武侠电影所发生的变化、存在的困惑和面对的未来。
With the development and popularization of digital technologies, a great change has taken place in the cinema industry since the 1990s. In terms of the development of Chinese martial arts film in the last two decades, digital technologies have had a great effect on the technological process,mode of operation,of traditional Chinese martial arts film, meanwhile,have made demands for reconsideration of its artistic conception,acsthetic perspective and intrinsic qualities.In this paper,a comparison of Shaolin Monastery (1982) and Crouching Tigers and Hidden Dragons (2000) is applied to discuss the change, confusion and future of Chinese martial arts film in the context of digital technology.
出处
《南京邮电学院学报(社会科学版)》
2005年第2期10-15,共6页
Journal of Nanjing University of Posts and Telecommunications(Social Science)
关键词
数字技术
中国武侠电影
美学
动作影像
虚拟现实
digital technology
Chinese martial arts film
aesthetics
motion image
virtual reality$$$$