摘要
追问存在既是海德格尔思之起点,又是海德格尔思之主题。海德格尔后期科技、语言、艺术之思皆是围绕其存在之思所展开的。在海德格尔存在之思中,艺术作品的本源就是使艺术作品是其所是以及如何是的那种东西,即艺术本身。探讨艺术本身是什么?须摈弃传统艺术理论遗忘了存在,专注于具体存在者,把具体物性因素当作艺术的本源的思路。同时也须摈弃从认识论出发,把艺术作品当作一种对象性存在,认为艺术的本质或在对现实生活的模仿,或在艺术家的主观表现的思路。
The discussion on existence is not only the origin of Martin Heidegger's theory, but also his main topic, his late stage theories on science & technology, language and art were developed from the consideration of existence. According to Heidegger, the origin of art work is what and how is it from, which is art itself. When we discuss what art is, we may not forget existence like traditional theories do, which focus on the specific existence, and regard physical elements as the origin of art. At the same time we should avoid the epistemology idea, which treats art work as objective existence, thus concludes that the essence of art is either the imitation of real life or the subjective representation of the artist.
出处
《湘潭大学学报（哲学社会科学版）》
北大核心
2005年第4期29-32,59,共5页
Journal of Xiangtan University:Philosophy And Social Sciences
关键词
艺术
艺术作品
艺术本质
海德格尔
<Keyword>art
artistic work
art essence
Martin Heidegger
