摘要
在新时期,一些作家为了达到对权力话语和传统文本进行颠覆、批判和否定的目的,运用了戏仿—反讽的创作模式。该文从语言和情境两个层面,通过对一些作品的分析,阐释了此一模式的特点。
In the new time, some authors apply the parody, which is an ironic composing mode, in order to overwhelm, criticize and deny the authoritative utterance and traditional context. This thesis elaborates the features of this mode by analyzing some typical works in two terms of utterance and context.
出处
《鄂州大学学报》
2005年第4期54-55,共2页
Journal of Ezhou University
关键词
戏仿
反讽
语言
情境
parody
irony
utterance
context
