摘要
作为辞赋大师,司马相如不但创作丰富,而且已相当充分地掌握了辞赋创作的审美规律,并通过自己的辞赋创作实践和有关辞赋创作的论述,对辞赋创作的审美创作与表现过程进行了不少探索,比较完整地提出自己的辞赋创作主张,强调“赋家之迹”,注重赋的审美表达;推重“赋家之心”,认为赋家的心神之运,无限广阔自由,上可以苞笼宇审,下可以总览人物,宇宙间万事万物都可以被感受,被认识,但这是一种自得于心的东西,只能自己去体会而不能言传。
Sima Xiangru, master of fu with an abundance of creation, fully masters the aesthetic rule of fu creation, explores the aesthetic creation and expression process of fu creation through his own creative practice and discussion, and conies up with his assertion of fu creation, stressing 'fu master' s textual beauty' , paying attention to aesthetic expression and having a high regard for 'fu master's spirit'.
出处
《四川师范大学学报（社会科学版）》
CSSCI
北大核心
2005年第4期126-133,共8页
Journal of Sichuan Normal University(Social Sciences Edition)
关键词
司马相如
辞赋美学
赋家之迹
赋家之心
Sima Xiangru
fu aesthetics
fu master' s textual beauty
fu master' s spirit
