摘要
清代“花部”戏曲兴盛以后,以演唱皮黄声腔为主的徽班在竞争中脱颖而出,逐渐成为剧坛霸主,京剧正是在徽班孕育下形成的。皮黄的流行,不仅体现在舞台演出的剧目上,也影响了文人的戏曲创作,道光九年《错中错》剧本的创作,是目前发现的最早由文人创作的皮黄剧本,意味着戏曲体制的大变革开始渗透进文人的创作中。《错中错》的出现有着其时代意义和独特的文本价值。
Since the “flowery” (“花部”) theatres got prosperous in the Qing Dynasty, the theatrical troupes of Anhui (徽班), which wer e apt to play in the musical styles of Xipi and Shuanghuang (皮黄声 腔), got upper-hands in this sphere. Peking opera was exactly brough t forth by the artistic practice of the theatrical troupes of Anhui .The prevailing success of the musical styles of Xipi and Shu anghuang was not only embodied in the theatric items put on in the theatres, but also exerted much influence upon scholarly play-writings .The creation of Mistakes in Mistakes in the ninth year of the Age of Daoguang (道光) was the earliest scholarly play-writing of Pe king opera, signifying the start of the great changes of theatrical institutions coming into the scholarly play-writings. Besides, the com ing-up of Mistakes in Mistakes was of epochal significance and u nique textual valour.
出处
《文学遗产》
CSSCI
北大核心
2005年第4期112-121,共10页
