摘要
祝寿之辞始自先秦,此后绵延不衰。纵观南宋以前寿诗、寿词的历史流变,其创作多限于庙堂,颂扬对象多为王卿贵族,内容风格单一。南宋祝寿风气炽盛,直接带动了寿词创作的普遍流行,其类型可分为寿圣寿官词、寿亲寿友词和自寿词三大类。寿圣寿官词因其应制酬唱之目的而带有谀美色彩和模式化特征;寿亲寿友词因祝颂的功利需求虽不免有一些尘俗观念和价值提升,但因其表现了人伦真情的温馨和生命意义的美好,因而具有一定的思想意义和审美价值;自寿词摆脱了他寿的功利目的,审视并探索生命的价值与意义,深刻揭示词人深婉细腻的心迹,带有浓烈的个性化色彩,风格少有他寿词的喜庆欢愉而多以悲愤激越为基调。
Birthday- congratulating literature began in the Qin Dynasty and since then it has been lasting continuously. Taking a panoramic view of the evolution of this genre before the Southern Song Dynasty, we know that the objects for birthday congratulations were all nobility and aristocracy, and therefore the content of this genre was monotonous. The popularity of this genre in the Southern Song Dynasty directly catalyzed the prevalence of the genre's creation. This paper classifies the birthday-congratulating Ci poetry of the Southern Song Dynasty into three types, and probes into its features separately. The purpose of this paper is to obtain a new understanding of their social and cultural functions and aesthetic features of Ci poetry
出处
《深圳大学学报（人文社会科学版）》
CSSCI
北大核心
2005年第3期87-90,共4页
Journal of Shenzhen University：Humanities & Social Sciences
关键词
南宋
寿诗
寿词
他寿
自寿
Southern Song Dynasty
birthday-congratulating poetry
birthday-congratulating Ci poetry
poetry of congratulating others
Ci poetry of congratulating oneself
