摘要
老子《道德经》具有丰富的审美内涵,虚静在《道德经》中不仅是种状态美,而且是种境界美。以虚静为美反映了老子悟道、合道的审美理想,这是他所处当时社会历史背景下审美思维的折射,浓缩了真善的特质,表现出他对自然、社会、人生之美的渴求,蕴含了对异化文明的批判,为后人寻求美的生活提供了独特的视角和价值取向。
Tao Te Ching by Laozi has abundant aesthetic intension. Emptiness and quietness are not only beauty of state, but of realm. Taking emptiness and quietness as beauty, this masterpiece reflects Laozi's aesthetic ideal on comprehending and integrating Tao which is also the reflection of aesthetic thinking against the social history background at that time. It concentrates on sincerity and goodness and reveals his desire for the beauty of nature, society and life. The book also contains the criticism to alienation civilization and offers the unique visual angle and value orientation for the descendants to seek beautiful life.
出处
《西藏民族学院学报（哲学社会科学版）》
2005年第3期28-31,106,共5页
Journal of Tibet Nationalities Institute(Philosophy and Social Sciences Edition)
关键词
《道德经》
虚静美
状态
审美理想
审美思维
Tao Te Ching
beauty of emptiness and quietness
state
aesthetic ideal
aesthetic thinking
