摘要
在八十年代中、后期,余华受西方现代派文学的启迪实现了时间意识的觉醒,开始了在时间艺术上一系列的探索。他通过对时间的割裂、扭曲,建造了自己的语言迷宫;用“宿命时间”组织小说,创造了新奇的形式感;通过词语的堆积,阻滞时间的流逝,创造了仿梦的艺术效果。
Time is a key element in modern novel and almost all successful western writers in the 20th century are artists who can skillfully use the element of time at first. Enlightened by western modernism literature in the middle and late 1980s, Yu Hua realized the importance of time and began to conduct a series of explorations of time art. He set up his own linguistic labyrinth by severing and distorting time, and created new patterns by organizing his novel with fatal time. He pile up words and phrases in writing to block the elapse of time, and create a dreamlike artistic effect.
出处
《三峡大学学报（人文社会科学版）》
2005年第3期44-47,共4页
Journal of China Three Gorges University(Humanities & Social Sciences)
关键词
小说
余华
时间艺术
文学研究
time
modern novel
enlightenment and loan
exploration and experiment
