摘要
七绝与乐府在魏晋至盛唐期间的离合关系，表现为七绝起源时曾具民间乐府的性质(未入乐)。梁末定型后至初唐与乐府脱离，至唐开、天之际二者再次结合(大量入乐)。七绝的乐府化对七绝诗体的演变、数量的激增和表现手法以及语言特色等产生了全面的影响。
Originating in the Wei and Jin Dynasties,Chinese septasyllabic quatrains had some features of folk songs though they were set to music as yuefu songs.At the end of the Liang Dynasty,the pattern of septasyllabic quatrain was set. In the early Tang Dynasty,septasyllabic quatrains dropped out of yuefu songs.In the period of Kaiyuan and Tianbao,with a lot of septasyllabic quatrains being set to music, yuefu songs began to exert great influence on the form,technique of expression,and lingual characteristics of septasyllabic quatrain.
出处
《株洲师范高等专科学校学报》
2005年第4期29-32,共4页
Journal of Zhuzhou Teachers College
关键词
七绝
乐府
离合关系
诗体演变
创作风貌
Chinese septasyllabic quatrain
yuefu songs
separation and reunion
development of poetic form
style
