摘要
方以智认为上古韵部较中古多有“通转”,《通雅》发明“东冬江通”、“真先青通”、“庚阳通”、“齐微皆来通”、“鱼模麻通”、“尤萧通”、“侵覃通”等规律,并在归并古韵基础上,概括古韵为“中通”、“天人”、“亨阳”、“知来”、“无多”、“道咎”、“寒还”等七部。这是古韵学史上真正就古音实际探求古韵部的先导。
Compared with medieval rhymes subsection, Fang Yi-zhi (方以智) thought that there was more transformation in ancient rhymes subsection. Tongya(通雅) also discovered many regular patterns, such as Dong(东), Dong(冬) transformed Jiang(江), Zhen(真), Xian(先) transformed Qing(青), Geng(庚) transformed Yang (阳), Qi(齐), Wei (微) transformed Jie(皆) , Lai(来), Yu(鱼), Mu(模) transformed Ma (麻) , You (尤) transformed Xiao(萧), Qin(侵) transformed Tan (覃). On the base of incorporating ancient rhymes, Fang divided ancient rhymes into seven parts: Zhongtong(中通), Tianren(天人), Hengyang(亨阳), Zhilai(知来), Wuduo(无多), Daojiu(通咎),Hanhuan(寒还). In the history of searching ancient rhymes subsection, Fang Yi-zhi (方以智) was the real pioneer who did it by the fact of ancient sound.
出处
《古汉语研究》
CSSCI
北大核心
2005年第2期38-43,共6页
Research in Ancient Chinese Language
