摘要
明清的仕女画在古代人物画史上是一个小小的高潮,画中仕女主要有“情”、“才”、“病”、“弱”几个特征。造成这种现象的原因有二:人文思潮的兴起;文人在封建专制文化政策下的“臣妾意识”。另外还有画家的“比兴寄托”的因素在起作用。
The drawing of beautiful woman in the Mingqing Dynasty is a little climax on ancient figure drawing history, the beautiful woman in which has mainly features of 'feeling', 'talent', 'disease' and 'weak'. The author thinks that the appearance of this kind of phenomenon has got two reasons: humanism trend spring up; the cultural policy of feudal special system. Finally, painter perhaps has more deep meaning except the meaning of surface.
出处
《台州学院学报》
2005年第2期17-19,27,共4页
Journal of Taizhou University
关键词
仕女画
人文思潮
臣妾意识
“关人香草’’
the drawing of beautiful woman
humanism tend
subject concubine consciousness
'beauty vanilla'
