摘要
以先锋小说、新写实小说和新历史小说为代表的20世纪80年代中期以后出现的“新潮后”小说潮流,在文学精神和叙述方式上发生的变异,深刻地改变着20世纪90年代的文学面貌。它们以革新小说叙事方式以及书写对人生的彻底绝望为内在追求,无论在现实还是在历史题材中,都没有能在文学精神上创造出一种超越性的价值取向。文学发展的多元化局面,其实包含着严重的精神滑坡现象。作家只有站在真和善的立场上,重返人的价值关怀,才能真正突破目前的价值迷惘,为文学的当下写作和历史叙事找到一个新的起点。
Represented by avant-courier novels, neo-realistic novels and neo-historical novels in late 1980s, the post-trend-setting novels varied from others in literary spirit and narration, which deeply influenced the literary visage in the 1990s. The post trend- setting novels take innovative narration and the depiction of desperation of life as internal pursuit, failing to create a kind of value- oriented transcendence in literary spirits. The plural complexion in the literary development, in fact, embodies a spirit-declining phenomenon. Only by upholding the stand of the true and the good, and by returning to the humanistic solicitude can the writers break through the perplexity and find a new starting point for the current literary creation and historical depiction.
出处
《浙江万里学院学报》
2005年第3期29-33,共5页
Journal of Zhejiang Wanli University
关键词
叙事
真实
还原
虚无
depiction
authenticity
return
nihility
