摘要
唐代诗学复古理论在批判六朝淫靡诗风的同时,又承续魏晋以来文学自觉的历史趋向,吸取六朝声、采艺术探索的成就,复兴汉魏刚健骏爽的诗歌风骨,继承《诗》《骚》风刺比兴的现实精神,上复元古自然清真的美学境界,从多方面为唐代诗歌艺术繁盛提供了理论依据。
Tang poetics’ doctrine of “returning to the ancients”, while criticizing the extravagant poetic style of the Six Dynasties, inherited the conscious historical trend evolving from the Wei and Jin dynasties. It absorbed the achievements of the Six Dynasties’ poetry in sound and elegance, revived the robust and straitforward poetic style of the Wei and Jin dynasties, inherited the satirical and metaphorical tradition of Classic of songs and Li Sao, and restoring poetry to the height of naturalness and freshness of the ancient poetry, and therefore provided the theoretical basis for the flowering of the Tang poetry.
出处
《五邑大学学报（社会科学版）》
2005年第2期1-6,共6页
Journal of Wuyi University(Social Sciences Edition)
基金
2003年国家社科基金项目(03BZW008)
关键词
唐代诗学
复古
声采
风骨
兴象
风雅比兴
清真
化工
Tang poetics
returning to the ancients
sound and elegance
robust style
image
satire and metaphor
freshness and spontaneity
transformation
